120 Film

Lomography F2/400

Its not uncommon for me to keep a roll or two in my bag when I go take some portraits. When I was shooting with Ellen I also brought my Rolleiflex 2.8C with a roll of some Lomography F2/400 color film. (Check here to see the digital shots) Now, F2/400 is a color film that was purchased by Lomography, they bought an exclusive jumbo roll of film from an older company. And like a fine wine, they “aged” it and then distributed it. When they announced this film I picked up a good handful, which was a good idea because they sold out within a day or two.

After wrapping up our shoot I ran home and went right to developing this roll. I was super excited how the negatives would render let alone if they would reveal anything, which is always my feelings about developing but that’s what makes it feel like Christmas morning haha. Anyways, I shot this F2/400 at box speed and was extremely impressed in when I did a preview scan. I’m happy I bought a good amount of rolls. With that in mind, I will be treating this film like a fine whiskey… only busting it our for special shoots or something.

Jackelyn

Few months ago Jackelyn hit me up and was wanting to just hangout and shoot. I totally was down to do so because it had been sometime that I had created anything portrait wise. I knew our location was going to be rather orange-ish so I was hoping to shoot some Ektar 100 on my Pentax 6x7. I had plenty of light and was successful in doing so. It was my first time ever shooting with the film and I was very impressed with it and the contrast. I think I might actually start shooting more Ektar 100 just because the contrast is as equal as my digital edits. I was super excited about this roll because it was one of my first 120 rolls I developed and then scanned myself. It really is an amazing feeling to do EVERYTHING on your own as the artist. The feeling is much more complete and exciting!

Jessica Sulikowski

For quite awhile I have had a strong interest in photographing ballet. I had this huge inspiration from other dance photographers on my Instagram and I finally wanted to try this myself. I reached out to a local dancer and she agreed to come to the studio she trains and teaches at, which had a over abundant amount of light pouring through the windows. Before I had even taken a shot I was already in photog heaven because of the amount of light and space we had to work with. 

During this shoot I really had no direction I wanted to go. I simply wanted to just get a foundation on photographing someone doing dance and understand the timing and proper framing. I also didn't want this collaboration between artists to be a commercial feel. Sure I took shots that were traditional in a sense and got Jessica to show her artistic talent but deep down what I wanted was simple. A documentation of Jessica in her space that she spends 40+ hours a week in. 

Lastly I shot digital and 120 black and white film. And as usual I wish I had more film, than space on my SD card. When I developed my rolls I was blown away at how gorgeous these portraits came out and with film that had been expired (totally accidental).

Quincee Lark

A couple of weeks back Quincee and I had met up at her home to create. It had been awhile that I had created something for me. I always enjoy photographing portraits in a home. Lighting can be more dramatic, contrasty or help show off more of the persons personality.

Aside form shooting digital, I brought my Pentax 6x7 and Pentax K1000. I shot one roll of Portra 400 @ 400. For the K1000 I used Lomography's limited release of its F2/400 film. It was the first roll of 10 I bought. And to be honest it's not a film I will just use for whatever. Sort of like the fine china or special booze. Only break it out for special occasions! After developing at a local lab I scanned here at home on my Epson V600 and cleaned up in PS.